John Blow, Jonathan Cohen, Emma Walshe, Arcangelo, Zoë Brookshaw's 'The Nymphs of the Wells: II. But Here Comes a Druid and We Must Retire –' had a release date set for September 29, 2017. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The Nymphs of the Wells: II. But Here Comes a Druid and We Must Retire –'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 29 in Blow: An Ode on the Death of Mr Henry Purcell & Other Works by John Blow, Arcangelo, Jonathan Cohen. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Nymphs of the Wells: II. But Here Comes a Druid and We Must Retire – is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Nymphs of the Wells: II. But Here Comes a Druid and We Must Retire – by John Blow, Jonathan Cohen, Emma Walshe, Arcangelo, Zoë Brookshaw is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nascere Virgo potens: No. 1, Nascere Virgo potens | Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Francesca Cassinari, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Trio Sonata in G Minor: I. Adagio | Giovanni Battista Draghi, La Rêveuse, Florence Bolton, Benjamin Perrot | A♭ Minor | 2 | 1A | 110 BPM | ||
Missa S. Marcellini: XVIII. Judicare vivos et mortuos - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Concerto, GWV 308: III. Largo | Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | B♭ Minor | 1 | 3A | 76 BPM | ||
Overture No. 4 in C Major: II. Andante | Johann Christian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E Major | 1 | 12B | 138 BPM | ||
Fantazia I, Z. 732 | Henry Purcell, John Holloway, Monika Baer, Martin Zeller | D♭ Minor | 1 | 12A | 162 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 7, An meinem Herzen, an meiner Brust | Robert Schumann, Claudia Barainsky, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
A Collection of Old Scots Tunes: Lochaber | Francesco Barsanti, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |