Traditional, The Engegård Quartet's 'Haugelåt (arr. by Nils Anders Mortensen for string quartet)' came out on February 23, 2024. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Haugelåt (arr. by Nils Anders Mortensen for string quartet) and no other songs are present in the album, we classify this track as a single. On top of that, Norway appears to be the country where this track was created. Haugelåt (arr. by Nils Anders Mortensen for string quartet) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haugelåt (arr. by Nils Anders Mortensen for string quartet) by Traditional, The Engegård Quartet to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermezzo pour violoncelle et piano, L. 40b | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 0 | 11B | 134 BPM | ||
3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto | Gabriel Fauré, Lucas Debargue | B♭ Minor | 0 | 3A | 77 BPM | ||
String Quartet, Op. 56 "Voces intimae": II. Vivace | Jean Sibelius, Vertavo String Quartet | D Major | 0 | 10B | 71 BPM | ||
Uzun İnce Bir Yoldayım | Cihat Aşkın, Mehru Ensari | C Major | 1 | 8B | 93 BPM | ||
Concerto No. 12 in A Major, K. 414: III. Rondeau | Wolfgang Amadeus Mozart, Jean-Efflam Bavouzet, Manchester Camerata, Gábor Takács-Nagy | C Major | 1 | 8B | 148 BPM | ||
Serenade: II. Aristophanes. Allegretto | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | D♭ Major | 0 | 3B | 119 BPM | ||
Variations on a Theme of Corelli, Op. 42: Coda. Andante | Sergei Rachmaninoff, Kirill Gerstein | D Minor | 0 | 7A | 161 BPM | ||
Variations on a Theme of Chopin, Op. 22: Var. 22 in C Major. Maestoso – Meno mosso – Presto | Sergei Rachmaninoff, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Piano Trio No. 1 in B Minor, Op. 8: III. Adagio | Johannes Brahms, Trio Sōra | B Major | 0 | 1B | 79 BPM | ||
Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM |
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