James Galway's 'Suite in A Minor for Flute and Strings: Polonaise' came out on 1978. The duration of Suite in A Minor for Flute and Strings: Polonaise is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Suite in A Minor for Flute and Strings: Polonaise's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James Galway's "James Galway plays Flute Concertos - Sony Classical Masters" album is number 17 out of 142. In terms of popularity, Suite in A Minor for Flute and Strings: Polonaise is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite in A Minor for Flute and Strings: Polonaise by James Galway to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Stabat mater: VII. And The Mother Did Weep | Karl Jenkins, Belinda Sykes, EMO Ensemble, Jody K. Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Choir, Ian Tracey, Pasi Hyökki | E Major | 2 | 12B | 137 BPM | ||
Prélude from "Te Deum", H.146 | Marc-Antoine Charpentier, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 111 BPM | ||
Premiere Suite de Symphonies: Rondeau | Jean-Joseph Mouret, Richard Kapp, Philharmonia Virtuosi of New York, Philharmonia Virtuosi | D Major | 4 | 10B | 81 BPM | ||
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Opus di Jazz: Blue Bop | Mike Mower, James Galway | B♭ Major | 3 | 6B | 137 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Beauty and the Beast | James Galway, Julian Lee | D Major | 2 | 10B | 82 BPM |
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