Christian Petzold, Christos Tsitsaros made "The Notebook for Anna Magdalena Bach: No. 5, Menuet in G Minor - Formerly Attributed to Johann Sebastian Bach as BWV Anh. 115" available on 2014. With The Notebook for Anna Magdalena Bach: No. 5, Menuet in G Minor - Formerly Attributed to Johann Sebastian Bach as BWV Anh. 115 being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 14 in Bach: Selections from The Notebook for Anna Magdalena Bach by Christos Tsitsaros. In terms of popularity, The Notebook for Anna Magdalena Bach: No. 5, Menuet in G Minor - Formerly Attributed to Johann Sebastian Bach as BWV Anh. 115 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Notebook for Anna Magdalena Bach: No. 5, Menuet in G Minor - Formerly Attributed to Johann Sebastian Bach as BWV Anh. 115 by Christian Petzold, Christos Tsitsaros is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuett | Otto Humbach, Christian Petzold | G Major | 2 | 9B | 169 BPM | ||
Rubinstein / Arr. Popper: Melody in F Major, Op. 3 No. 1 | Anton Rubinstein, Taeguk Mun, Chi Ho Han | F Major | 1 | 7B | 93 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Harp Concerto in C Major, Op. 6, No. 1: II. Andantino poco allegretto | Ernst Eichner, Silke Aichhorn, Kurpfälzisches Kammerorchester, Stefan Fraas | F Major | 0 | 7B | 133 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Les larmes de Jacqueline, Op. 76, No. 2 | Jacques Offenbach, Harriet Krijgh, Kamilla Isanbaeva | C Major | 1 | 8B | 90 BPM | ||
メヌエット | Christian Petzold, Irina Mejoueva | G Minor | 1 | 6A | 135 BPM | ||
Sonata No. 84 in D Major, R;413 | Antonio Soler, Luis Fernando Pérez | D Major | 2 | 10B | 130 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Overtures For 2 Horns, 2 Oboes And Strings / Overture No.2 In A: 2. Andante | Josef Mysliveček, Concerto Köln, Werner Ehrhardt | B Minor | 0 | 10A | 101 BPM |
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