Johann Sebastian Bach, Hannah Morrison, English Baroque Soloists, John Eliot Gardiner's 'Mass in B Minor, BWV 232: Laudamus te (Soprano)' came out on November 6, 2015. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "J.S. Bach: Mass in B Minor, BWV 232" album is number 5 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mass in B Minor, BWV 232: Laudamus te (Soprano)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in B Minor, BWV 232: Laudamus te (Soprano) by Johann Sebastian Bach, Hannah Morrison, English Baroque Soloists, John Eliot Gardiner to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: 7. Judicabit in nationibus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | A Major | 4 | 11B | 111 BPM | ||
Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 27, So ist mein Jesus nun gefangen | Johann Sebastian Bach, Carolyn Sampson, Damien Guillon, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 73 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
"If Music Be The Food Of Love", Z.379 | Henry Purcell, Emma Kirkby, Richard Campbell, Christopher Hogwood | F Major | 1 | 7B | 84 BPM | ||
Stabat Mater (Hob. XXbis)- 1767: XIIIa.Quando corpus morietur | Joseph Haydn, Patricia Rozario, Catherine Robbin, The English Concert Choir, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 141 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
L'incoronazione di Poppea, SV 308 / Prologue: Sinfonia - Prologue - "Deh, nasconditi, o Virtù" ... | Claudio Monteverdi, Anne Sofie von Otter, Catherine Bott, Marinella Pennicchi, English Baroque Soloists, John Eliot Gardiner | G Major | 1 | 9B | 170 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM |
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