George Frideric Handel, Academy of Ancient Music, Stephen Layton, The Choir Of Trinity College, Cambridge's 'Dettingen Te Deum in D Major, HWV 283: XIV. Day by Day We magnify Thee' came out on June 1, 2008. The duration of Dettingen Te Deum in D Major, HWV 283: XIV. Day by Day We magnify Thee is about 3 minutes long, at 3:18. Based on our data, "Dettingen Te Deum in D Major, HWV 283: XIV. Day by Day We magnify Thee" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Academy of Ancient Music, Stephen Layton, The Choir Of Trinity College, Cambridge's "Handel: Dettingen Te Deum; Zadok the Priest" album is number 14 out of 22. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Dettingen Te Deum in D Major, HWV 283: XIV. Day by Day We magnify Thee is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dettingen Te Deum in D Major, HWV 283: XIV. Day by Day We magnify Thee by George Frideric Handel, Academy of Ancient Music, Stephen Layton, The Choir Of Trinity College, Cambridge to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks (arr. piano) | Music Lab Collective, George Frideric Handel | D Major | 0 | 10B | 122 BPM | ||
Romance in F Major, Op. 50 | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | F Major | 1 | 7B | 114 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Major, BWV 1061: 1. [No Tempo Indication] (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Major | 2 | 8B | 91 BPM | ||
Messiah, HWV 56: Part I: Symphony Pastoral: Pifa | George Frideric Handel, Maria Jette, Patrice Djerejian, William Hite, Jeffrey Strauss, David Bachmann, Eric Budzynski, Apollo Chorus of Chicago, Studio Orchestra, Stephen Alltop | C Major | 0 | 8B | 75 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348, VII. Air | George Frideric Handel, Pierre Boulez, New York Philharmonic | F Major | 1 | 7B | 83 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 5 | 7A | 103 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM |
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