"Symphony No.5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)" by Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung was released on December 16, 2016. Symphony No.5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung's "Mahler Symphony No. 5" album is number 1 out of 5. The popularity of Symphony No.5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) by Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes bohémiennes la jolie fille de perth: Danse bohémienne | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | B Minor | 1 | 10A | 81 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | F Major | 1 | 7B | 88 BPM | ||
Danse, "Tarentelle styrienne" | Claude Debussy, François-Joël Thiollier | F♯ Minor | 1 | 11A | 69 BPM | ||
Serenade for Strings in C major, Op. 48: III. Elegie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | D Major | 1 | 10B | 78 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 99 BPM | ||
Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato | Sergei Prokofiev, Beatrice Rana, Antonio Pappano, Orchestra dell'Academia nazionale di Santa Cecilia | B♭ Major | 2 | 6B | 150 BPM | ||
Nocturne No.7 In C Sharp Minor, Op.27 No.1 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | A Major | 0 | 11B | 73 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Polonaise No. 4 in C Minor, Op. 40, No. 2 | Frédéric Chopin, Rafał Blechacz | A♭ Major | 1 | 4B | 132 BPM |
Section: 0.5148763656616211
End: 0.5188932418823242