Redento Zardo, Enrico Caruso, Salvatore Cottone's 'Luna fedel' came out on June 8, 2001. The duration of Luna fedel is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Luna fedel's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 27 in Caruso, Enrico: Complete Recordings, Vol. 1 (1902-1903) by Enrico Caruso. Luna fedel is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Luna fedel by Redento Zardo, Enrico Caruso, Salvatore Cottone is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Pirata, Act I: Cielo! è dessa! | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Gustavo de Gennaro, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
La Verbena de la Paloma, Act I: Linda Susana (Hilarión, Casta, Susana, Julián, Rita) | Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Plácido Domingo, Raquel Pierotti, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | E♭ Major | 2 | 5B | 80 BPM | ||
Mercè, dilette amiche | Tamara Radjenovic, Makris Symphony Orchestra & Choir | A Minor | 3 | 8A | 112 BPM | ||
Les Contes d'Hoffmann / Act 1: Dans les rôles d'amoureux langoureux | Jacques Offenbach, Andreas Schmidt, Orchestre National De France, Seiji Ozawa | C Major | 2 | 8B | 137 BPM | ||
Stornello mesto | Redento Zardo, Giuseppe Anselmi, Artist Unknown | C Major | 1 | 8B | 78 BPM | ||
Solenne in Quest'ora (La Forza del Destino) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | C Major | 3 | 8B | 94 BPM | ||
Doña Francisquita, Act I: Canción del Ruiseñor, Pt. 2 (Doña Francisca, francisquita, Fernando, Cardona, Aurora, Lorenzo, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Rosa Maria Ysas, Maria Bayo, Alfredo Kraus, Santiago Jerico, Raquel Pierotti, Ismael Ponz, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | D Major | 3 | 10B | 124 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
Bizet: Carmen, Act 1: "Mais nous ne voyons pas la Carmencita!" "Quand je vous aimerai?" (Jeunes gens, Dragons, Cigarières, Carmen) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Chor und Kinderchor der Deutschen Staatsoper Berlin, Eberhard Friedrich, Magdalena Kozená, Vinzenz Weissenburger | F Minor | 1 | 4A | 86 BPM | ||
Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM |
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