"Solenne in Quest'ora (La Forza del Destino)" by Jussi Björling, RCA Victor Orchestra, Robert Merrill was released on March 3, 1931. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, Solenne in Quest'ora (La Forza del Destino) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Solenne in Quest'ora (La Forza del Destino) by Jussi Björling, RCA Victor Orchestra, Robert Merrill having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Final Recording (Gothenburg 1960): Svarta rosor (Black Roses) | Gothenburg Symphony Orchestra, Jussi Björling | F Minor | 3 | 4A | 74 BPM | ||
Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Jussi Björling, Nils Grevillius, Stockholm Concert Society Orchestra | A Minor | 2 | 8A | 63 BPM | ||
Nessun dorma | Giacomo Puccini, Jussi Björling, Erich Leinsdorf | F Minor | 1 | 4A | 96 BPM | ||
Wien, Du stadt meiner Träume (Wien, Wien, nur du allein) | Rudolf Sieczynski, Jonas Kaufmann, Ádám Fischer | G Major | 2 | 9B | 133 BPM | ||
Lilacs, Op. 21, No. 5 | Sergei Rachmaninoff, Jussi Björling | C Major | 4 | 8B | 66 BPM | ||
Chausson: Le Charme | Gérard Souzay | E♭ Major | 1 | 5B | 98 BPM | ||
Sa skimrande var aldrig havet | Evert Taube, Anders Edenroth, Orebro Kammarkor, Fred Sjoberg | E♭ Major | 0 | 5B | 105 BPM | ||
Giordano's Fedora: Amor Ti Vieta | Jussi Björling | C Major | 4 | 8B | 94 BPM | ||
Wiener Blut, Wiener Blut (From "Wienerblut") | Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer | C Major | 2 | 8B | 84 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM |
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