"Prelude Op.11-9 E Major" by Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann was released on July 1, 1996. With Prelude Op.11-9 E Major being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Great Piano Classics" album is number 16 out of 18. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Prelude Op.11-9 E Major is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude Op.11-9 E Major by Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es muss ein Wunderbares sein, S. 314 | Franz Liszt, Hermann Prey, Leonard Hokanson | E♭ Major | 0 | 5B | 89 BPM | ||
Erotic Op.43-5 | Sylvia Capova | D Minor | 0 | 7A | 72 BPM | ||
Debussy: Petite suite, CD 71, L. 65: I. En bateau | Claude Debussy, Michel Béroff, Jean-Philippe Collard | G Major | 0 | 9B | 109 BPM | ||
Swan Lake, Op. 20: No.27 Danses Des Petites Cygnes | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A♭ Major | 1 | 4B | 75 BPM | ||
Piano Quintet "Trout" (Theme and Variations) | Franz Schubert, Leonard Hokanson, Villa Musica Ensemble | D Major | 1 | 10B | 116 BPM | ||
Scenes of Childhood, Op. 15, N°7. "Träumerei" | Yuli Lavrénov | F Major | 0 | 7B | 95 BPM | ||
Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: No. 27 in E Minor, Op. 62, No. 3, "Trauermarsch" (Funeral March) | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Carnival of the Animals, R. 125: X. Birds | Camille Saint-Saëns, Marylene Dosse, Annie Petit, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | C Minor | 2 | 5A | 79 BPM | ||
Les soirees musicales (text by P. Metastasio and C. Pepoli): No. 5. L'invito | Gioachino Rossini, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
Suite bergamasque: III. Clair de lune (Arr. A. Caplet for orchestra) | Claude Debussy, Leipzig Radio Symphony Orchestra, Max Pommer | B♭ Major | 2 | 6B | 106 BPM |
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