Songs of Love and Eternity: The Wind Tapped Like a Tried Man - Rudolf Escher, Emily Dickinson, Netherlands Chamber Choir, Ed Spanjaard Information

Acousticness: 96%
Danceability: 12%
Energy: 0%
Instrumentalness: 1%
Liveness: 6%
Loudness: 37%
Speechiness: 4%
Valence: 3%
Popularity: 0%
Loudness: -38.067 dB

Summary

"Songs of Love and Eternity: The Wind Tapped Like a Tried Man" by Rudolf Escher, Emily Dickinson, Netherlands Chamber Choir, Ed Spanjaard was released on August 1, 1997. The duration of Songs of Love and Eternity: The Wind Tapped Like a Tried Man is about 3 minutes long, at 3:07. Based on our data, "Songs of Love and Eternity: The Wind Tapped Like a Tried Man" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Choral Works of Rudolf Escher". In this album, this song's track order is #4. Songs of Love and Eternity: The Wind Tapped Like a Tried Man is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Songs of Love and Eternity: The Wind Tapped Like a Tried Man BPM

With Songs of Love and Eternity: The Wind Tapped Like a Tried Man by Rudolf Escher, Emily Dickinson, Netherlands Chamber Choir, Ed Spanjaard having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Songs of Love and Eternity: The Wind Tapped Like a Tried Man Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata for Flute and Piano: Comodo	Rudolf Escher, Emily Beynon, Sepp Grotenhuis	A♭ Major	1	4B	86 BPM
Le Triomphe de l'Harmonie: Nous jouissons de nos asiles… (Chœur de nymphes)	François-Lupien Grenet, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi	D♭ Minor	1	12A	134 BPM
Three Poems by W.H. Auden: Warm Are The Still and Lucky Miles	Rudolf Escher, W. H. Auden, Netherlands Chamber Choir, Ed Spanjaard	A Minor	0	8A	70 BPM
Songs of Love and Eternity: These Are the Days When Birds Come Back	Rudolf Escher, Emily Dickinson, Netherlands Chamber Choir, Ed Spanjaard	A♭ Major	0	4B	108 BPM
Requiem, Op. 9: VII. Lux Aeterna	Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra	D Major	2	10B	108 BPM
Lamentations of Jeremiah I: VI. Jerusalem, Jerusalem	Thomas Tallis, Owain Park, The Gesualdo Six	E♭ Minor	1	2A	90 BPM
Missa Pontificalis: Benedictus	Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti	F Major	0	7B	144 BPM
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale	Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble	D Major	1	10B	99 BPM
Missa Maria Magdalena: Agnus Dei	Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin	D Major	1	10B	86 BPM
Am Morgen	Alexander Därr	D Major	0	10B	112 BPM

ISRC: QMFMG1575287
Label: L-M Records/RCA Records

Section: 0.731558084487915

End: 0.7357392311096191