"Concerto Serenade for Harp and Orchestra: 1. Estudiantina (Allegro ma non troppo - Andante)" by Joaquín Rodrigo, Catherine Michel, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida was released on January 1, 1987. Since Concerto Serenade for Harp and Orchestra: 1. Estudiantina (Allegro ma non troppo - Andante) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rodrigo: Concierto de Aranjuez; Fantasía para un gentilhombre; Concierto serenata". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Concerto Serenade for Harp and Orchestra: 1. Estudiantina (Allegro ma non troppo - Andante) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto Serenade for Harp and Orchestra: 1. Estudiantina (Allegro ma non troppo - Andante) by Joaquín Rodrigo, Catherine Michel, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D Major | 1 | 10B | 125 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Thaïs: Méditation (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Nigel Hess, Royal Philharmonic Orchestra | D Major | 2 | 10B | 95 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM |
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