"Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): II. Pantomim: Moderato" by Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset had its release date on May 1, 2012. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Nordic Violin Favourites". In this album, this song's track order is #8. Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): II. Pantomim: Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): II. Pantomim: Moderato by Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude | Kurt Atterberg, Camerata Nordica, Ulf Wallin | A Minor | 1 | 8A | 69 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 7. Grazioso | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
The Tale of Tsar Saltan Suite, Op. 57: The Tale of Tsar Saltan Suite, Op. 57: I. The Tsar's Farewell and Departure | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 2 | 9B | 98 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
Souvenir de Florence, Op. 70 | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Borodin Quartet, Genrikh Talalyan | D Minor | 2 | 7A | 171 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Orchestral Sounds | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | A Minor | 0 | 8A | 84 BPM |