Fritz Wunderlich's 'Wie das schnattert, wie das plappert' came out on 2017. With this song being about 5 minutes long, at 5:16, "Wie das schnattert, wie das plappert" by Fritz Wunderlich is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #18. In terms of popularity, Wie das schnattert, wie das plappert is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wie das schnattert, wie das plappert by Fritz Wunderlich having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venus in Seide: Erst hab ich ihr Komplimente gemacht | Robert Stolz, Fritz Wunderlich, SWR Rundfunkorchester Kaiserslautern, Emmerich Smola | F Major | 3 | 7B | 127 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Ach so fromm, ach so traut | Friedrich von Flotow, Fritz Wunderlich, Artur Rother | C Major | 2 | 8B | 72 BPM | ||
Die schweigsame Frau, Op. 80, TrV 265: Was geht hier vor? | Richard Strauss, Bavarian Radio Symphony Orchestra, Heinz Wallberg, Fritz Wunderlich, Hans Hotter, Ingeborg Hallstein | F♯ Major | 2 | 2B | 89 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | B♭ Major | 0 | 6B | 120 BPM | ||
Komm' mein Söhnchen, auf ein Wort (Die verkaufte Braut: Kezal - Hans, 2.Akt) - 1990 Remastered Version | Bedřich Smetana, Fritz Wunderlich, Gottlob Frick, Bamberg Symphony, Rudolf Kempe | G Major | 3 | 9B | 116 BPM | ||
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Sommer (Summer): Cavatina: Dem Druck' erlieget die Natur (Lukas) | Joseph Haydn, Agnes Giebel, Fritz Wunderlich, Kieth Engen, SWR Vokalensemble Stuttgart, Stuttgart Radio Symphony Orchestra, Hans Müller-Kray | C Major | 3 | 8B | 107 BPM | ||
"Ich weiss auf der Wieden ein kleines Hotel" | Ralph Benatzky, Fritz Wunderlich, Vienna State Opera Chorus, Vienna Volksoper Orchestra, Robert Stolz | F Major | 3 | 7B | 95 BPM | ||
Santa Lucia | Gordigiani, Breuer, Fritz Wunderlich | E Major | 4 | 12B | 75 BPM | ||
Quand je fus pris au pavillon | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 1 | 2B | 124 BPM |
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