Miliza Korjus, Orchester Der Staatsoper Berlin's 'Das Laub nur zum Lager (Die Zigeunerin)' had a release date set for August 8, 2006. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Miliza Korjus's "Lebendige Vergangenheit - Milza Korjus" album is number 3 out of 16. Das Laub nur zum Lager (Die Zigeunerin) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Laub nur zum Lager (Die Zigeunerin) by Miliza Korjus, Orchester Der Staatsoper Berlin to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
C'est un oiseau qui passe | Rina Ketty | A♭ Major | 2 | 4B | 129 BPM | ||
Antico canto siciliano | Christopher Howell, Ambra Noè | G Major | 1 | 9B | 74 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
R. Strauss: Ariadne auf Naxos: Schlaft sie? - The Opera | Richard Strauss, Viorica Ursuleac, Helge Rosvaenge, Erna Berger, Miliza Korjus, Gertrude Runger, Ilonka Holndonner, Karl Hammes, Benno Arnold, Eugen Fuchs, Erich Zimmermann, Reichssenders Orchestra, Clemens Krauss | E♭ Major | 1 | 5B | 80 BPM | ||
Gräfin Mariza - Operetta in 3 Acts: Einleitung - Höre ich Zigeunergeigen | Emmerich Kálmán, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 91 BPM | ||
Rapsodie espagnole, M. 54: IV. Feria - Live | Maurice Ravel, BBC Northern Orchestra, Pierre Monteux | D Minor | 3 | 7A | 77 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Vagabondages pour flûte et harpe: II. Langen (Hessen): Handkäse mit Musik - Allegretto | Louis Sauter, Claudio Ferrarini | E Minor | 2 | 9A | 68 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Ich Von Kopf Buss fuss Auf Liebe Eingestellt - The Blue Angel, 1930 | Marlene Dietrich | E♭ Major | 1 | 5B | 63 BPM |