Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Rise Stevens, Eleanor Steber, Emery Darcy, Emanuel List's 'Der Rosenkavalier op. 59: Quinquin, es ist ein Besuch' came out on November 19, 2021. With Der Rosenkavalier op. 59: Quinquin, es ist ein Besuch being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 48 in Der Rosenkavalier op. 59 by Richard Strauss, Metropolitan Opera House Orchestra and Choir, Martha Lipton, Giuseppe Di Stefano, Thelma Votipka, Lorenzo Alvary, Emery Darcy, Palu Franke, Gerhard Pechner, Leslie Chabay, Paula Lechner, Maxine Stellman, Thelma Altman, Lois Hunt, Fritz Reiner, Eleanor Steber, Emanuel List, Rise Stevens, Hugh Thompson, Erna Berger, Peter Klein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Der Rosenkavalier op. 59: Quinquin, es ist ein Besuch is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Der Rosenkavalier op. 59: Quinquin, es ist ein Besuch by Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Rise Stevens, Eleanor Steber, Emery Darcy, Emanuel List is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
4 Lieder, Op. 27, TrV 170: 4. Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Die Walküre / Erster Aufzug: Orchestervorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Minor | 3 | 7A | 113 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM |
Section: 0.7058839797973633
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