"4 Lieder, Op. 27, TrV 170: 4. Morgen!" by Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen was released on May 31, 2019. With this song being about 5 minutes long, at 4:34, "4 Lieder, Op. 27, TrV 170: 4. Morgen!" by Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Richard Strauss: Four Last Songs / Wagner: Arias from Tannhäuser". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of 4 Lieder, Op. 27, TrV 170: 4. Morgen! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Lieder, Op. 27, TrV 170: 4. Morgen! by Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Da unten im Tale, WoO 33, No. 6 | Johannes Brahms, Jonas Kaufmann, Helmut Deutsch | E Major | 1 | 12B | 182 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Abendempfindung, K.523 | Wolfgang Amadeus Mozart, Irmgard Seefried, Erik Werba | F Major | 1 | 7B | 110 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
Lakmé: Flower Duet (Dôme épais) | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | B Major | 2 | 1B | 106 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Der Rosenkavalier, Op. 59 / Act 3: "Ist ein Traum, kann nicht wirklich sein" | Richard Strauss, Renée Fleming, Sophie Koch, Munich Philharmonic Orchestra, Christian Thielemann | E Minor | 1 | 9A | 85 BPM | ||
La forza del destino, Act IV: Pace, pace, mio Dio | Giuseppe Verdi, Lise Davidsen, London Philharmonic Orchestra, Sir Mark Elder | C Minor | 1 | 5A | 84 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM |
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