Sehzade Mahmud Necmeddin Efendi, Henschel Quartett, Vedat Koşal made "Vatan Polka - Arr. for Piano and String Quartet" available on 2000. The duration of Vatan Polka - Arr. for Piano and String Quartet is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Vatan Polka - Arr. for Piano and String Quartet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Ottoman Court Music (Arr. for Piano and String Quartet)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Austria. Vatan Polka - Arr. for Piano and String Quartet is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Vatan Polka - Arr. for Piano and String Quartet by Sehzade Mahmud Necmeddin Efendi, Henschel Quartett, Vedat Koşal having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in A Minor, Op. 41/1: IV. Presto | Robert Schumann, Emerson String Quartet | F Major | 1 | 7B | 101 BPM | ||
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano) | Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino | G Major | 0 | 9B | 76 BPM | ||
Concert Fantasy on Gounod's Romeo et Juliette, Op. 5 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | G Major | 1 | 9B | 108 BPM | ||
Chopin: Nocturne No. 13 in C Minor, Op. 48 No. 1 | Frédéric Chopin, Fazıl Say | C Minor | 1 | 5A | 70 BPM | ||
Meadowland (Polyushko, pole) | Lev Knipper, Takako Nishizaki, Queensland Orchestra, Peter Breiner | G Major | 1 | 9B | 126 BPM | ||
Sylvia: Act III: Scene et barcarolle | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 88 BPM | ||
Symphony No. 2 in A Minor, Op. 55: IV. Prestissimo - Andantino - Tempo primo | Camille Saint-Saëns, Malmö Symphony Orchestra, Marc Soustrot | A♭ Major | 1 | 4B | 140 BPM | ||
Der Zigeunerbaron, Act 2: Entr'acte | Johann Strauss II, Dietrich Fischer-Dieskau, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra | G Major | 1 | 9B | 61 BPM | ||
İzmir Suite, Op. 79: I. Waves of Gulf | Fazıl Say | E Major | 3 | 12B | 87 BPM |
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