Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano) - Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino Information

Acousticness: 99%
Danceability: 20%
Energy: 3%
Instrumentalness: 83%
Liveness: 7%
Loudness: 59%
Speechiness: 5%
Valence: 16%
Popularity: 8%
Loudness: -24.391 dB

Summary

"Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano)" by Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino was released on January 1, 1999. With this song being about 5 minutes long, at 5:16, "Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano)" by Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Viola Recital: Bianchi, Luigi Alberto - Paganini, N. / Kreisler, F. / Sarasate, P. by Luigi Alberto Bianchi, Jacques Delacote. The song's track number on the album is #6 out of 11 tracks. Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano) BPM

Since Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano) by Pablo de Sarasate, Luigi Alberto Bianchi, Bruno Canino has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano) being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Spanish Dances, Op. 21: No. 1. Malaguena (arr. for viola and piano) Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Zigeunerweisen (Aires Gitanos), Op. 20	Pablo de Sarasate, Julia Fischer, Milana Chernyavska	G Minor	1	6A	83 BPM
Tarantella vs. Niska Banja	Traditional, Pablo de Sarasate, Janoska Ensemble	F Minor	3	4A	67 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	B♭ Major	2	6B	73 BPM
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	84 BPM
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "Summer": I. Allegro non molto	Antonio Vivaldi, Bohuslav Matousek, Zdenek Dejmek, Janacek Chamber Orchestra	G Minor	2	6A	127 BPM
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser)	Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard	D Major	3	10B	117 BPM
Caprice sur Mireille de Gounod, Op. 6	Pablo de Sarasate, Tianwa Yang, Markus Hadulla	G Major	1	9B	110 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Grandes Etudes de Paganini, S.141: No.6 In A Minor	Franz Liszt, Daniil Trifonov	A Minor	2	8A	119 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5928976535797119

End: 0.5977859497070312