Gioachino Rossini, La Cetra Vokalensemble Basel, Alasdair Kent, Vasilisa Berzhanskaya, Pablo Ruiz, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta's 'L'italiana in Algeri: Atto Ii. Finale Ii. Son l’aure seconde, son placide l’onde' came out on March 17, 2023. With L'italiana in Algeri: Atto Ii. Finale Ii. Son l’aure seconde, son placide l’onde being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gioachino Rossini, Vasilisa Berzhanskaya, Ricardo Seguel, Alasdair Kent, Giancarlo Andretta, Orchestra Of The 18th Century's "L'Italiana in Algeri" album is number 25 out of 44. On top of that, Spain appears to be the country where this track was created. Based on our statistics, L'italiana in Algeri: Atto Ii. Finale Ii. Son l’aure seconde, son placide l’onde's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L'italiana in Algeri: Atto Ii. Finale Ii. Son l’aure seconde, son placide l’onde by Gioachino Rossini, La Cetra Vokalensemble Basel, Alasdair Kent, Vasilisa Berzhanskaya, Pablo Ruiz, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Lehár: Das Land des Lächelns, Act 2: "Ich möcht' einmal die Heimat seh'n" (Lisa) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
歌劇「魔笛」 第2幕~夜の女王のアリア | 佐藤美枝子, ジェイムズ・ロックハート, フィルハーモニア管弦楽団 | F Major | 2 | 7B | 71 BPM | ||
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Der Favorit: Du sollst der Kaiser meiner Seele sein (Grünbaum & Sterk) | Robert Stolz, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
L'italiana in Algeri: Atto I. Recitativo. Ascoltami, Italiano | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Lilian Farahani, José Coca Loza, Orchestra Of The 18th Century, Giancarlo Andretta | A Major | 3 | 11B | 106 BPM | ||
Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM |
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