Vadim Brodski, Warsaw Philharmonic Orchestra, Jerzy Salwarowski's 'Julia (arr. V. Brodski for violin and orchestra)' came out on August 1, 2013. The duration of Julia (arr. V. Brodski for violin and orchestra) is about 3 minutes long, at 3:08. Based on our data, "Julia (arr. V. Brodski for violin and orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Beatles". In this album, this song's track order is #6. In terms of popularity, Julia (arr. V. Brodski for violin and orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Julia (arr. V. Brodski for violin and orchestra) by Vadim Brodski, Warsaw Philharmonic Orchestra, Jerzy Salwarowski having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
Carmen, Opera Suite No. 2: Habanera (Act 1) | Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana | G Major | 1 | 9B | 134 BPM | ||
When I´m Sixty-Four | Søren Bødker Madsen | G Major | 2 | 9B | 136 BPM | ||
Swan Lake | Rick Wakeman | A Minor | 1 | 8A | 134 BPM | ||
Songs Without Words, Op. 62: No. 6 in A Major: Molto allegro vivace "Fruhlinglied" (Spring Melody) | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
14 Songs, Op. 34: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Maria Kliegel, Raymund Havenith | E Minor | 1 | 9A | 80 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling | G Major | 1 | 9B | 65 BPM | ||
La vita è bella: La vita è bella | Nicola Piovani, Trio Schau, Tommaso Lega, Edoardo Lega, Pier Filippo Barbano | D Major | 2 | 10B | 129 BPM | ||
Violin Concerto No. 1 in F-Sharp Minor, Op. 14: I. Allegro moderato | Henryk Wieniawski, Vadim Brodski, Polish National Radio Symphony Orchestra, Antoni Wit | F♯ Minor | 1 | 11A | 102 BPM |
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