- BPM
- 134
- Key
- G Major
- Camelot
- 9B
Carmen, Opera Suite No. 2: Habanera (Act 1) - Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana Information
- Acousticness
- 98%
- Danceability
- 52%
- Energy
- 7%
- Instrumentalness
- 88%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 34%
- Popularity
- 14%
- Loudness
- -22.142 dB
Summary
Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana's 'Carmen, Opera Suite No. 2: Habanera (Act 1)' came out on January 1, 2009. The duration of Carmen, Opera Suite No. 2: Habanera (Act 1) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen, Opera Suite No. 2: Habanera (Act 1)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 18 in Bizet: Carmen, Opera Suite - L'Arlesienne Suite, Op. 23 by Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Carmen, Opera Suite No. 2: Habanera (Act 1)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Carmen, Opera Suite No. 2: Habanera (Act 1) BPM
The tempo marking of Carmen, Opera Suite No. 2: Habanera (Act 1) by Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Carmen, Opera Suite No. 2: Habanera (Act 1) Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Salut d'amour, Op. 12 | Edward Elgar, Kyung Wha Chung, Phillip Moll | E Major | 1 | 12B | 175 BPM | |
 | Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Libor Pešek, Slovac Philharmony | F♯ Minor | 1 | 11A | 156 BPM | |
 | Scene Infantili Op. 15: Il Sogno | Maurizio Mastrini | F Major | 1 | 7B | 127 BPM | |
 | Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | |
 | The Hall of The Mountain King | Armonie Symphony Orchestra | B Minor | 0 | 10A | 101 BPM | |
 | Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | |
 | Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 1 | 5A | 89 BPM | |
 | Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | |
 | Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM |
- ISRC
- USSJ10810921
- Label
- L-M Records/RCA Records
Section: 0.5649094581604004
End: 0.5690305233001709