"Whitacr: Sleep" by Maulbronn Chamber Choir, Juergen Budday, Jurgen Budday, Musica Sacra, Eric Whitacre, Maulbronn Monastery Edition was released on December 1, 2010. Whitacr: Sleep is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 15 out of 18 in Choral Concert: Die Nacht leuchtet wie der Tag / The night shines as the day by Maulbronn Chamber Choir. Whitacr: Sleep is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Whitacr: Sleep by Maulbronn Chamber Choir, Juergen Budday, Jurgen Budday, Musica Sacra, Eric Whitacre, Maulbronn Monastery Edition is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob.XXI,2: Pt. 3, Praise the Lord, Ye Voices All! | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Margaret Lias, Harry Christophers | B♭ Major | 5 | 6B | 114 BPM | ||
Mass in C Major, Op. 86: V. Benedictus | Ludwig van Beethoven, Sir Colin Davis, London Symphony Chorus, Alastair Miles, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra, Sally Matthews | F Major | 1 | 7B | 79 BPM | ||
Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
Saget der Tochter Zion, TWV 1:1235: I. Sonata. Saget der Tochter Zion | Georg Philipp Telemann, Britta Schwarz, Wilfried Jochens, Dirk Schmidt, Magdeburg Chamber Choir, Michaelstein Telemann Chamber Orchestra, Ludger Remy | D♭ Major | 3 | 3B | 83 BPM | ||
Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Major | 1 | 9B | 145 BPM | ||
Requiem aeternam: Rex tremendae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 86 BPM | ||
Te Deum in D Major, MH 829: II. Largo | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | G Major | 1 | 9B | 67 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sequentia: Dies irae | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 129 BPM | ||
Charpentier: Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Ann Murray, Dawn Upshaw, Ethna Robinson, Kurt Moll | D Major | 1 | 10B | 90 BPM |
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