"Oboe Concerto in C major RV 446: 2. Adagio" by Antonio Vivaldi, Heinz Holliger, I Musici had its release date on January 1, 1984. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: 6 Concertos for Oboe & Strings by Antonio Vivaldi, Heinz Holliger, I Musici. The song's track number on the album is #11 out of 18 tracks. In terms of popularity, Oboe Concerto in C major RV 446: 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oboe Concerto in C major RV 446: 2. Adagio by Antonio Vivaldi, Heinz Holliger, I Musici has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Oboe Concerto in C major RV 446: 2. Adagio being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 7 in C major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Major | 2 | 1B | 115 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: V. Sommeille | Cologne Chamber Orchestra, Georg Philipp Telemann | C Minor | 0 | 5A | 58 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : V. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | C Minor | 2 | 5A | 79 BPM | ||
Credo RV 592 Crucifixus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Philippe Jaroussky | E Minor | 1 | 9A | 169 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: II. Rondeau | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 143 BPM | ||
Trumpet Concerto in D Major [with cadenza]: I. Andante (cadenza by N. Eklund) | Leopold Mozart, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 100 BPM | ||
Oboe Sonata, Op. 23: II. Tempo di sardana | Robert Casadesus, Heinz Holliger, Anton Kernjak | E♭ Minor | 2 | 2A | 171 BPM | ||
Concerto a 5 in C, Op.7, No.5 for 2 Oboes, Strings and Continuo: 2. Adagio | Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici | A Minor | 1 | 8A | 75 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: IV. Adagio | Arcangelo Corelli, Enrico Onofri | E Minor | 0 | 9A | 189 BPM |