"La Bohème / Act 1: "Che gelida manina" - Live" by Giacomo Puccini, Jerry Hadley, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein was released on January 1, 1993. With this song being about 5 minutes long, at 5:15, "La Bohème / Act 1: "Che gelida manina" - Live" by Giacomo Puccini, Jerry Hadley, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Giacomo Puccini, Thomas Hampson, Leonard Bernstein, Giuseppe Sinopoli, Herbert von Karajan, Roberto Abbado, Orchestra dell'Accademia Nazionale di Santa Cecilia, Wiener Philharmoniker, Philharmonia Orchestra, Orchestra Del Gran Teatro La Fenice, Jerry Hadley's "Mad About Puccini" album is number 4 out of 15. On top of that, Germany appears to be the country where this track was created. La Bohème / Act 1: "Che gelida manina" - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bohème / Act 1: "Che gelida manina" - Live by Giacomo Puccini, Jerry Hadley, Orchestra dell'Accademia Nazionale di Santa Cecilia, Leonard Bernstein to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588 / Act I: "La mia Dorabella" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 128 BPM | ||
La Rondine: Act II: Bevo al tuo fresco sorriso (Ruggero, Magda, Lisette, Prunier, Chorus) | Giacomo Puccini, Svetla Vassileva, Maya Dashuk, Fabio Sartori, Emanuele Giannino, Marzio Giossi, Fernando Luis Ciuffo, Giorgio Berrugi, Andrea Patucelli, Polina Volfson, Alessandra Meozzi, Annunziata Vestri, Puccini Festival Chorus, Puccini Festival Orchestra, Alberto Veronesi | E♭ Major | 6 | 5B | 84 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 1: Vorspiel (Langsam und schmachtend - Belebend) | Richard Wagner, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | A Major | 0 | 11B | 85 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 104 BPM | ||
West Side Story: Somewhere | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 2 | 7B | 174 BPM |
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