"Evocation" by Hale Smith, Natalie Hinderas was released on January 1, 2007. The duration of Evocation is about 3 minutes long, at 3:21. Based on our data, "Evocation" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Piano Music by African-American Composers". In this album, this song's track order is #6. Based on our statistics, Evocation's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Evocation by Hale Smith, Natalie Hinderas having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 2. Langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | C Major | 0 | 8B | 95 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): IV. Primavera Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | A♭ Major | 0 | 4B | 77 BPM | ||
Concerto for Clarinet and Saxophone, "Laurentian Reflections": III. Laurentian Rapids | Maya Badian, Iurie Frotovcean, Alexei Litvin, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B Minor | 4 | 10A | 105 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Chants de Terre et de Ciel: No. 1, Bail avec Mi (pour ma femme) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | D Major | 0 | 10B | 66 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM |
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