"Die verkaufte Braut, JB 1:100, Act II: "Armer Narr - Es muß gelingen!"" by Staatskapelle Dresden, Otmar Suitner, Rolf Apreck was released on 1965. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Smetana: Die verkaufte Braut (Highlights - Sung in German)". In this album, this song's track order is #10. Die verkaufte Braut, JB 1:100, Act II: "Armer Narr - Es muß gelingen!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die verkaufte Braut, JB 1:100, Act II: "Armer Narr - Es muß gelingen!" by Staatskapelle Dresden, Otmar Suitner, Rolf Apreck having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Schoenberg : Pierrot lunaire Op.21 : XVIII Der Mondfleck | Arnold Schoenberg, Giuseppe Sinopoli, Staatskapelle Dresden | E♭ Minor | 1 | 2A | 83 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Strauss, R: An Alpine Symphony, Op. 64: XVIII. Quiet Before the Storm | Richard Strauss, Rudolf Kempe, Staatskapelle Dresden | F♯ Major | 1 | 2B | 76 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): I. Allegro | Wolfgang Amadeus Mozart, Sabine Meyer, Staatskapelle Dresden, Hans Vonk | A Major | 1 | 11B | 130 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 6. Vivace | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Schoenberg : 6 Orchestral Songs Op.8 : II Das Wappenschild | Arnold Schoenberg, Giuseppe Sinopoli, Staatskapelle Dresden | D Major | 3 | 10B | 80 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM |
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