Wolfgang Amadeus Mozart, Sabine Meyer, Staatskapelle Dresden, Hans Vonk's 'Mozart: Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): I. Allegro' came out on 1990. Mozart: Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): I. Allegro appears to be safe for all ages as it is not explicit. The track order of this song in Johann Sebastian Bach, Wolfgang Rübsam, Mike Oldfield, Yannickk, Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden's "Mozart: Clarinet Concerto in A Major, K. 622 & Sinfonia concertante in E-Flat Major, K.297b" album is number 1 out of 6. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mozart: Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): I. Allegro's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): I. Allegro by Wolfgang Amadeus Mozart, Sabine Meyer, Staatskapelle Dresden, Hans Vonk to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia concertante in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jiri Krejci, Vaclav Kyzivat, Zdeněk Tylšar, Jiri Seidl, Capella Istropolitana, Richard Edlinger | E♭ Major | 0 | 5B | 129 BPM | ||
Bach, J.S.: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Alexandre Tharaud, Bernard Labadie | A♭ Major | 0 | 4B | 107 BPM | ||
Der Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Grieg : Symphonic Dances Op.64 : No.2 in A Major | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 110 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": IV. Tema con variazioni | Franz Schubert, Emanuel Ax | G Major | 1 | 9B | 113 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo | Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons | C Major | 0 | 8B | 72 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM |
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