- BPM
- 87
- Key
- E♭ Major
- Camelot
- 5B
French Suite No.4 in E flat, BWV 815: 1. Allemande - Johann Sebastian Bach, András Schiff Information
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 12%
- Instrumentalness
- 88%
- Liveness
- 11%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 59%
- Popularity
- 0%
- Loudness
- -27.915 dB
Summary
Johann Sebastian Bach, András Schiff made "French Suite No.4 in E flat, BWV 815: 1. Allemande" available on May 3, 2021. With French Suite No.4 in E flat, BWV 815: 1. Allemande being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 160 in Bach for the Background by Johann Sebastian Bach. French Suite No.4 in E flat, BWV 815: 1. Allemande is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
French Suite No.4 in E flat, BWV 815: 1. Allemande BPM
The tempo marking of French Suite No.4 in E flat, BWV 815: 1. Allemande by Johann Sebastian Bach, András Schiff is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
French Suite No.4 in E flat, BWV 815: 1. Allemande Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | |
 | Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Christine Pichlmeier, Lucas Barr, Antonio Vivaldi | B Minor | 3 | 10A | 118 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | |
 | Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | |
 | Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM | |
 | Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | |
 | Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | |
 | Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | |
 | Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | |
 | Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6289937496185303
End: 0.632735013961792