William Grant Still, Fort Smith Symphony, John Jeter's 'Symphony No. 4, "Autochthonous": III. With a graceful lilt' came out on October 27, 2009. The duration of Symphony No. 4, "Autochthonous": III. With a graceful lilt is about 3 minutes long, at 3:02. Based on our data, "Symphony No. 4, "Autochthonous": III. With a graceful lilt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Still, W.G.: Symphonies Nos. 4, "Autochthonous" and 5, "Western Hemisphere" / Poem". In this album, this song's track order is #8. Symphony No. 4, "Autochthonous": III. With a graceful lilt is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphony No. 4, "Autochthonous": III. With a graceful lilt by William Grant Still, Fort Smith Symphony, John Jeter having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in B-Flat Major, HWV 434: IV. Minuet (Arr. Wilhelm Kempff) - Remastered 2022 | George Frideric Handel, Alessandro Stella | B♭ Minor | 0 | 3A | 76 BPM | ||
Chorale in E Flat | Rosey Chan | E♭ Major | 0 | 5B | 77 BPM | ||
Passage | Joep Beving | G Major | 0 | 9B | 60 BPM | ||
Romance (arr. for clarinet and piano) | Anonymous , William Grant Still, Marcus Eley, Lucerne DeSa | E♭ Major | 0 | 5B | 69 BPM | ||
Prelude | William Alwyn, Ashley Wass | E Minor | 0 | 9A | 170 BPM | ||
Archangel's Lullaby | Howard Blake, Steven Isserlis, Stephen Hough | D Minor | 0 | 7A | 89 BPM | ||
4 Postludes for Piano & String Orchestra: No. 1. Larghetto - Andante | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 95 BPM | ||
Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Grand Piano | Wolfgang Amadeus Mozart, Víkingur Ólafsson | F♯ Major | 6 | 2B | 147 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM |
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