On January 31, 2003, the song "Violin Sonata in E Major, Op. 5, No. 11 (arr. for recorder): II. Allegro" was released by Anonymous, Arcangelo Corelli, Dan Laurin, Parnassus Avenue. The duration of Violin Sonata in E Major, Op. 5, No. 11 (arr. for recorder): II. Allegro is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Violin Sonata in E Major, Op. 5, No. 11 (arr. for recorder): II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 31 in Corelli / Veracini / Sammartini: Baroque Music for Recorder by Dan Laurin. Based on our statistics, Violin Sonata in E Major, Op. 5, No. 11 (arr. for recorder): II. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Violin Sonata in E Major, Op. 5, No. 11 (arr. for recorder): II. Allegro by Anonymous, Arcangelo Corelli, Dan Laurin, Parnassus Avenue is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
Trumpet Concerto in D Major, TWV 51:D7: II. Allegro | Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 3 | 3B | 107 BPM | ||
Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: 1. Allegro | Georg Philipp Telemann, Peter Westermann, Michael Niesemann, Piet Dhont, Musica Antiqua Köln, Reinhard Goebel | A Major | 3 | 11B | 128 BPM | ||
Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: I. Allegro | Alessandro Marcello, Venice Baroque Orchestra | B Major | 1 | 1B | 138 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): IV. Gigue | Johann Gottlieb Goldberg, London Baroque | B Major | 3 | 1B | 139 BPM | ||
Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | D♭ Minor | 2 | 12A | 180 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM |
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