"Das Sühnopfer des neuen Bundes, Pt. 3: No. 42, Einen Schwamm mit Essig füllet" by Carl Loewe, Ulrike Malotta, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper was released on March 8, 2019. With Das Sühnopfer des neuen Bundes, Pt. 3: No. 42, Einen Schwamm mit Essig füllet being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper's "Loewe: Das Sühnopfer des neuen Bundes" album is number 15 out of 46. On top of that, Germany appears to be the country where this track was created. Das Sühnopfer des neuen Bundes, Pt. 3: No. 42, Einen Schwamm mit Essig füllet is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Sühnopfer des neuen Bundes, Pt. 3: No. 42, Einen Schwamm mit Essig füllet by Carl Loewe, Ulrike Malotta, Andreas Burkhart, L'Arpa Festante Baroque Orchestra, Thomas Gropper to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
Laudate Pueri: I. Laudate Pueri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Misa Tango: I. Kyrie | MartÍn Palmeri, Astoria, Philippe Gérard | G Minor | 0 | 6A | 112 BPM | ||
Liebesliederwalzer, Op. 52: V. Die grüne Hopfenranke | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Stella Doufexis, Marlis Petersen, Christoph Berner, Camillo Radicke, Konrad Jarnot | A♭ Major | 1 | 4B | 140 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: II. Allegro | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) | Jean-Baptiste Lully, William Christie, Justin Taylor | F♯ Minor | 4 | 11A | 85 BPM | ||
Symphony in D Minor, SchL deest: IV. Adagio espressivo - Allegro - Adagio - Allegro | Carl Loewe, Jenaer Philharmonie, Simon Gaudenz | D Minor | 2 | 7A | 74 BPM | ||
Biber: Requiem a 15 in A Major: V. Sanctus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Sommer: III. Terzett und Chor, "Sie steigt herauf, die Sonne" | Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 2 | 10B | 139 BPM |
Section: 1.0134928226470947
End: 1.0172696113586426