"Die Walküre, WWV 86B / Act 3: Szene 3: "War es so schmählich?"" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi was released on July 1, 1997. With this song being about 5 minutes long, at 5:04, "Die Walküre, WWV 86B / Act 3: Szene 3: "War es so schmählich?"" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Die Walküre by Richard Wagner, Christoph von Dohnányi, Gabriele Schnaut, Robert Hale, Poul Elming, Alessandra Marc, Alfred Muff, Anja Silja, Cleveland Orchestra. The song's track number on the album is #37 out of 43 tracks. Die Walküre, WWV 86B / Act 3: Szene 3: "War es so schmählich?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B / Act 3: Szene 3: "War es so schmählich?" by Richard Wagner, Gabriele Schnaut, Robert Hale, Cleveland Orchestra, Christoph von Dohnányi has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, WWV 86B / Act 3: Szene 3: "War es so schmählich?" being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A Major | 2 | 11B | 94 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | C Minor | 0 | 5A | 72 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM |
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