Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La's 'Sonata for 2 Violins, Op. 5, No. 4: IV. Presto' came out on January 1, 2002. With Sonata for 2 Violins, Op. 5, No. 4: IV. Presto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Giovanni Battista Mazzaferrata, Stefano Montanari's "Mazzaferrata: Primo Libro Delle Sonate A 2 Violini (Il)" album is number 16 out of 49. On top of that, Italy appears to be the country where this track was created. Sonata for 2 Violins, Op. 5, No. 4: IV. Presto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for 2 Violins, Op. 5, No. 4: IV. Presto by Giovanni Battista Mazzaferrata, Stefano Montanari, Claudia Combs, Ghirlanda Mosicale, La to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigals, Book 1: De la donna ch'adora | Giovanni Battista Mazzaferrata, Cappella Artemisia, Candace Smith | C Minor | 1 | 5A | 84 BPM | ||
Trio Sonata in A Minor, BuxWV 254: III. Lento - IV. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: V. Menuet | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 98 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: I. Allegro ma non troppo | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
6 Concerts transcrits en sextuor / 1er Concert: Le Vézinet | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Fantasia: Fantasia | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM |
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