Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale
Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy
Amadeus (The Complete Soundtrack Recording)
1:27 January 1, 1984
BPM
74
Key
C Major
Camelot
8B

Embed

Share Link

Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale - Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy Information

Acousticness
92%
Danceability
47%
Energy
50%
Instrumentalness
0%
Liveness
3%
Loudness
77%
Speechiness
6%
Valence
25%
Popularity
Loudness
-13.706 dB

Summary

Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy's 'Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale' came out on January 1, 1984. With Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale BPM

The tempo marking of Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Die Entführung aus dem Serail (The Abduction from the Seraglio, K. 384);Turkish Finale Key

The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Anvil Chorus from Il trovatore - Vocal by Giuseppe Verdi, James Levine, Metropolitan Opera OrchestraAnvil Chorus from Il trovatore - VocalGiuseppe Verdi, James Levine, Metropolitan Opera OrchestraG Major39B138 BPM
L'elisir d'amore / Act II: L'elisir d'amore / Act II: "Una furtiva lagrima"Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineB♭ Minor13A87 BPM
Fanfare for the Common Man by Aaron Copland, Los Angeles Philharmonic, Zubin MehtaFanfare for the Common ManAaron Copland, Los Angeles Philharmonic, Zubin MehtaB♭ Major26B73 BPM
Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn by Aaron Copland, Los Angeles Philharmonic, Zubin MehtaAppalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker HymnAaron Copland, Los Angeles Philharmonic, Zubin MehtaD♭ Major13B85 BPM
Gotterdammerung (Twilight of the Gods): Act III Scene 2: Siegfried's Funeral March by Richard Wagner, Slovak Radio Symphony Orchestra, Uwe MundGotterdammerung (Twilight of the Gods): Act III Scene 2: Siegfried's Funeral MarchRichard Wagner, Slovak Radio Symphony Orchestra, Uwe MundC Minor05A174 BPM
Grande messe des morts, Op. 5, Grande messe des morts, Op. 5, "Requiem": LacrimosaHector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger NorringtonC Major28B128 BPM
Norfolk Rhapsody No.1 in E minor by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville MarrinerNorfolk Rhapsody No.1 in E minorRalph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville MarrinerB Minor010A114 BPM
Das Lied von der Erde: Von der Jugend by Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre BoulezDas Lied von der Erde: Von der JugendGustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre BoulezG Minor16A79 BPM
Psaume 24. La terre appartient a l'Eternel by Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony ChorusPsaume 24. La terre appartient a l'EternelLili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony ChorusE Minor29A83 BPM
Country Gardens: English Morris Dance Tune (Stokowski version, 1950) by Percy Grainger, City Of Birmingham Symphony Orchestra, Sir Simon RattleCountry Gardens: English Morris Dance Tune (Stokowski version, 1950)Percy Grainger, City Of Birmingham Symphony Orchestra, Sir Simon RattleE♭ Major15B137 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5793406963348389

End: 0.5836079120635986