- BPM
- 84
- Key
- A Major
- Camelot
- 11B
Prince Igor: Polovtsian Dances: Polovtsian Dance: Introduzione - Andantino - Alexander Borodin, Leonard Bernstein, New York Philharmonic Information
- Acousticness
- 92%
- Danceability
- 12%
- Energy
- 3%
- Instrumentalness
- 73%
- Liveness
- 8%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -26.218 dB
Summary
"Prince Igor: Polovtsian Dances: Polovtsian Dance: Introduzione - Andantino" by Alexander Borodin, Leonard Bernstein, New York Philharmonic was released on November 16, 2018. The duration of Prince Igor: Polovtsian Dances: Polovtsian Dance: Introduzione - Andantino is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Prince Igor: Polovtsian Dances: Polovtsian Dance: Introduzione - Andantino's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 23 in Bernstein Conducts Dances from Operas by Leonard Bernstein, New York Philharmonic. Prince Igor: Polovtsian Dances: Polovtsian Dance: Introduzione - Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prince Igor: Polovtsian Dances: Polovtsian Dance: Introduzione - Andantino BPM
The tempo marking of Prince Igor: Polovtsian Dances: Polovtsian Dance: Introduzione - Andantino by Alexander Borodin, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Prince Igor: Polovtsian Dances: Polovtsian Dance: Introduzione - Andantino Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | |
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 | Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | |
 | Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | |
 | Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | |
 | Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6602318286895752
End: 0.6643052101135254