Johannes Brahms, Simon Bächinger's '7 Fantasies, Op. 116: No. 5, Intermezzo in E Minor' came out on February 9, 2024. The duration of 7 Fantasies, Op. 116: No. 5, Intermezzo in E Minor is about 3 minutes long, at 3:14. Based on our data, "7 Fantasies, Op. 116: No. 5, Intermezzo in E Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 7 in Brahms: 7 Fantasies, Op. 116 by Johannes Brahms, Simon Bächinger. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. 7 Fantasies, Op. 116: No. 5, Intermezzo in E Minor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 7 Fantasies, Op. 116: No. 5, Intermezzo in E Minor by Johannes Brahms, Simon Bächinger is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Etudes, Op. 111: IV. Les cloches de Las Palmas | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Bach Prelude BWV 855a concert transcription by A. Siloti - Живая версия | Luka Okros | F♯ Major | 2 | 2B | 81 BPM | ||
抒情小曲集 第1集 Op.12 I. アリエッタ(グリーグ) | Edvard Grieg, Ewa Pobłocka | B Minor | 0 | 10A | 65 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | ||
Sonata in E Minor, H. 281: II. Adagio | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Davidsbündlertänze, Op. 6: No. 15, Frisch | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 11 in D Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | A Minor | 1 | 8A | 95 BPM | ||
Sinfonia de Alborada | Velqui | E♭ Major | 2 | 5B | 120 BPM | ||
Prelude Op. 23 No. 10 in G-Flat Major: Largo | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 73 BPM | ||
Memories of Valse | Ganna Sorbat, Dzintra Erliha | D Minor | 2 | 7A | 150 BPM |
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