Henry VIII, Amarcord, Michael Metzler's 'Pastyme with good companye' came out on 2006. With Pastyme with good companye being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #17. Based on our statistics, Pastyme with good companye's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pastyme with good companye by Henry VIII, Amarcord, Michael Metzler having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Courtly Masquing Ayres: No. 4 | John Adson, The Prague Brass Soloists | D Major | 1 | 10B | 93 BPM | ||
Chanterai por mon corage | Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David Munrow | A Minor | 0 | 8A | 124 BPM | ||
La tricotea | Alonso de Alba, Amarcord | B Major | 3 | 1B | 111 BPM | ||
La traditora: Saltarello, "La traditora" | Marco Dall'Aquila, Shirley Rumsey | B♭ Major | 0 | 6B | 138 BPM | ||
Holborne: The Fairy Round (Galliard No. 3) | Anthony Holborne, David Munrow, Early Music Consort Of London | C Major | 1 | 8B | 118 BPM | ||
Early Elizabethan Music: Anthony Pavyn, A Downe, Chi Passa, Dump Philli | Paul O'Dette | C Major | 0 | 8B | 87 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Alta Trinita Beata | Piffaro, The Concord Ensemble | G Major | 2 | 9B | 84 BPM | ||
Jane Seymour, Died (Whereto Should I Express) | The Wandering Bard, Henry VIII | A Minor | 2 | 8A | 89 BPM | ||
Pastime With Good Company | Henry VIII, The Queen's Six | G Minor | 0 | 6A | 67 BPM |
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