- BPM
- 86
- Key
- E♭ Minor
- Camelot
- 2A
Debussy: La Grotte from Chanson de France - Gérard Souzay Information
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 16%
- Instrumentalness
- 33%
- Liveness
- 11%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 1%
- Loudness
- -15.196 dB
Summary
"Debussy: La Grotte from Chanson de France" by Gérard Souzay was released on 2005. The duration of Debussy: La Grotte from Chanson de France is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Debussy: La Grotte from Chanson de France's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gérard Souzay's "Mélodies Françaises Pour Bariton" album is number 15 out of 30. Debussy: La Grotte from Chanson de France is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Debussy: La Grotte from Chanson de France BPM
We consider the tempo marking of Debussy: La Grotte from Chanson de France by Gérard Souzay to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
Debussy: La Grotte from Chanson de France Key
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass No. 17 in C Minor, K. 427 "Great" (Completed by F. Beyer): I. Kyrie | Wolfgang Amadeus Mozart, Katharina Konradi, WDR Rundfunkchor Köln, Kolner Kammerorchester, Christoph Poppen | C Minor | 1 | 5A | 61 BPM | |
 | «Ninon» | Leo Nucci | E Major | 1 | 12B | 168 BPM | |
 | Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | |
 | 5 Lieder: No. 5. Ich wandle unter Blumen | Alma Mahler, Isabel Lippitz, Barbara Heller-Reichenbach | F Minor | 2 | 4A | 109 BPM | |
 | Les pêcheurs de perles, WD 13, Act I: Je crois entendre encore - Remastered 2024 | Georges Bizet, Raphael Arié, London Symphony Orchestra, Josef Krips | A Minor | 1 | 8A | 140 BPM | |
 | Le secret, Op.23, No.3 | Gabriel Fauré, Dalton Baldwin, Gérard Souzay | A Major | 0 | 11B | 131 BPM | |
 | The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | |
 | Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | |
 | 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | |
 | Vorrei morire! | Francesco Paolo Tosti, Javier Camarena, Angel Rodriguez | E♭ Major | 0 | 5B | 67 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0244605541229248
End: 1.0284721851348877