Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai's 'Armonici entusiasmi di Davide, Op. 9: Psalm 111, "Beatus vir qui timet Dominum": Beatus vir qui timet Dominum' came out on May 5, 2015. Since Armonici entusiasmi di Davide, Op. 9: Psalm 111, "Beatus vir qui timet Dominum": Beatus vir qui timet Dominum is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 21 out of 67 in Bassani: Armonici entusiasmi di Davide, Op. 9 by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai. In terms of popularity, Armonici entusiasmi di Davide, Op. 9: Psalm 111, "Beatus vir qui timet Dominum": Beatus vir qui timet Dominum is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Armonici entusiasmi di Davide, Op. 9: Psalm 111, "Beatus vir qui timet Dominum": Beatus vir qui timet Dominum by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prime die Lectio secunda: XI. Vau | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 0 | 1A | 81 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 111 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Trio Sonata in A Minor, HasB 5/1: III. Allegro | Giovanni Battista Bassani, Veronika Skuplik, Catherine Aglibut, Mieneke van der Velden, Kris Verhelst | A Minor | 1 | 8A | 94 BPM | ||
Te deum, LWV 55: XIV. Miserere nostri Domine, miserere nostri | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 1: No. 1, Wo find' ich ihn, der meiner Augen Licht | Carl Loewe, Monika Mauch, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E Major | 0 | 12B | 73 BPM | ||
Messa della Madonna: Recercar con obligo di Cantare la Quinta parte senza Tocarla | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Sonata No. 12 in A: II. Allegro | Giovanni Battista Bassani, Ensemble StilModerno | A♭ Minor | 1 | 1A | 125 BPM |
Section: 0.6685423851013184
End: 0.671379804611206