"Divertimento No. 2, Op. 24 "Magyar népi dallamok": III. Panaszos ének" by Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi was released on July 24, 2020. With Divertimento No. 2, Op. 24 "Magyar népi dallamok": III. Panaszos ének being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiner: Complete Orchestral Works, Vol. 3 by Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi. The song's track number on the album is #4 out of 22 tracks. Divertimento No. 2, Op. 24 "Magyar népi dallamok": III. Panaszos ének is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Divertimento No. 2, Op. 24 "Magyar népi dallamok": III. Panaszos ének by Leó Weiner, Budapest Symphony Orchestra MAV, Valeria Csanyi has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Divertimento No. 2, Op. 24 "Magyar népi dallamok": III. Panaszos ének being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Trombone Concerto: III. Illumination | Dani Howard, Peter Moore, Royal Liverpool Philharmonic Orchestra, Michael Seal | E Major | 1 | 12B | 147 BPM | ||
Lachrimae Antiquae | John Dowland, Thurston Dart, London Philharmonic Orchestra | A Minor | 1 | 8A | 78 BPM | ||
String Trio in G Minor, Op. 6: III. Andantino | Leó Weiner, Trio Boccherini | E Major | 1 | 12B | 78 BPM | ||
Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | ||
Carmen Suite No. 1: I. Prélude to Act I | Georges Bizet, Cincinnati Pops Orchestra, Erich Kunzel | D Major | 1 | 10B | 135 BPM | ||
Viola Concerto, Op. 37: II. Allegro giocoso | Miklós Rózsa, Gilad Karni, Budapest Symphony Orchestra MAV, Mariusz Smolij | D Major | 3 | 10B | 148 BPM | ||
String Trio in G minor, Op. 6: IV. Allegro con fuoco | Leó Weiner, Trio Boccherini | G Major | 1 | 9B | 80 BPM | ||
La traviata: La Traviata, Act II: Dammi tu forza, o cielo | Giuseppe Verdi, Ildiko Ivan, Apollonia Szolnoki, Attila Kiss, Budapest Symphony Orchestra MAV, Janos Kovacs | D Minor | 2 | 7A | 74 BPM | ||
Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM |
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