"L'alba Separa Della Luce Ombra" by Jussi Björling, Frederic Schauwecker was released on March 3, 1931. The duration of L'alba Separa Della Luce Ombra is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. L'alba Separa Della Luce Ombra's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Germany. The popularity of L'alba Separa Della Luce Ombra is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'alba Separa Della Luce Ombra by Jussi Björling, Frederic Schauwecker having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 92 BPM | ||
Arne / Arr Sargent : Rule Britannia! | Thomas Arne, Last Night Of The Proms - The 100th Season, Andrew Davis, BBC Symphony Orchestra | A♭ Major | 3 | 4B | 97 BPM | ||
The Marriage of Figaro: Part IV, "Contessa, perdono" (Count, Countess, Ensemble) | José van Dam, Mirella Freni, Frederica von Stade, Wiener Philharmoniker, Vienna State Opera Chorus | E♭ Major | 5 | 5B | 68 BPM | ||
Turandot: Non Piangere Liù | Jussi Björling, Erich Leinsdorf, Orchestra of the Rome | E♭ Minor | 4 | 2A | 83 BPM | ||
Ack Värmeland du sköna (Folksong from Värmland) | Royal Stockholm Philharmonic Orchestra | D Minor | 1 | 7A | 86 BPM | ||
Turandot | Birgit Nilsson, Jussi Björling, Orchestra and Chorus of Teatro dell'Opera di Roma, Erich Leinsdorf | D Major | 4 | 10B | 101 BPM | ||
Till skogs en liten fagel flog | Otto Jonas Lindblad, Lunds Studentsångare, Folke Bohlin | G Major | 0 | 9B | 173 BPM | ||
Massenet: Manon, Act 3 Tableau 2 Scene 3: "Ah! fuyez, douce image à mon âme trop chère" (Des Grieux) | Jules Massenet, Jussi Björling, Nils Grevillius, Royal Swedish Orchestra | E♭ Major | 3 | 5B | 104 BPM | ||
Cavalleria Rusticana: Intermezzo | Zinka Milanov, Jussi Björling, Carol Smith, Robert Merrill, Margaret Roggero, Robert Shaw Chorale, RCA Victor Orchestra, Robert Shaw, Renato Cellilni | F Major | 2 | 7B | 71 BPM | ||
Pagliacci, Act II: No, pagliaccio non son | Ruggero Leoncavallo, Jussi Björling, Robert Merrill, Victoria de los Ángeles, Renato Cellini, RCA Victor Symphony Orchestra | A Major | 2 | 11B | 98 BPM |
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