Joseph Haydn, Wiener Philharmoniker, Georg Hann, Clemens Krauss's 'Die Schopfung (The Creation), Hob.XXI:2: Part I: Und Gott machte das Firmament (And God made the firmament) (Raphael)' came out on March 4, 2014. With Die Schopfung (The Creation), Hob.XXI:2: Part I: Und Gott machte das Firmament (And God made the firmament) (Raphael) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn, Clemens Krauss's "Haydn: Die Schöpfung" album is number 4 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die Schopfung (The Creation), Hob.XXI:2: Part I: Und Gott machte das Firmament (And God made the firmament) (Raphael) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schopfung (The Creation), Hob.XXI:2: Part I: Und Gott machte das Firmament (And God made the firmament) (Raphael) by Joseph Haydn, Wiener Philharmoniker, Georg Hann, Clemens Krauss to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Mendelssohn: Concert Piece No. 2 in D Minor, Op. 114, MWV Q24: I. Presto | Felix Mendelssohn, Sabine Meyer, Wolfgang Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 116 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 6. Polonaise. Moderato, quasi menuetto | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | B♭ Major | 2 | 6B | 115 BPM | ||
String Quartet No. 4 in C Major, K. 157: III. Presto | Eder Quartet | C Major | 2 | 8B | 81 BPM | ||
Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 84 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM |
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