Joseph Boulogne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon's 'L'amant anonyme, Ouverture: Overture: II. Andante' came out on February 3, 2017. With L'amant anonyme, Ouverture: Overture: II. Andante being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Tafelmusik Baroque Orchestra, Jeanne Lamon's "Le Mozart noir: The Life & Music of Joseph Boulogne, Chevalier de Saint-Georges" album is number 2 out of 17. Based on our statistics, L'amant anonyme, Ouverture: Overture: II. Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'amant anonyme, Ouverture: Overture: II. Andante by Joseph Boulogne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Semiramis - Ballet Pantomime: 8. Maestoso | Christoph Willibald Gluck, Tafelmusik Baroque Orchestra, Bruno Weil | A Major | 1 | 11B | 137 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
String Quartet in G Major, Op. 76 No. 1, Hob. III:75: I. Allegro con spirito | Franz Joseph Haydn, Chiaroscuro Quartet | G Major | 1 | 9B | 117 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: I. Allegro | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | G Minor | 1 | 6A | 80 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo | Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons | C Major | 0 | 8B | 72 BPM | ||
Quatuor No. 2 en mi bémol majeur: Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Quatuor à Cordes Jean-Noël Molard, Jean-Pierre Lacour, Jacques Watelle, Robert Duval | E♭ Major | 2 | 5B | 133 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Phaëton, LWV 61: Air pour les Égyptiens "L'ete" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | E Major | 3 | 12B | 135 BPM |
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