Jacques Offenbach, André Cluytens, André Philippe, Fanély Revoil, Géori Boué, Raoul Jobin, Roger Bourdin, Orchestre du Théâtre national de l'Opéra-Comique made "Offenbach: Les contes d'Hoffmann, Act IV: "Mon enfant ! Ma fille !" (Crespel, Antonia, Nicklausse, Hoffmann, Docteur Miracle)" available on January 1, 1948. The duration of Offenbach: Les contes d'Hoffmann, Act IV: "Mon enfant ! Ma fille !" (Crespel, Antonia, Nicklausse, Hoffmann, Docteur Miracle) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Offenbach: Les contes d'Hoffmann, Act IV: "Mon enfant ! Ma fille !" (Crespel, Antonia, Nicklausse, Hoffmann, Docteur Miracle)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Offenbach: Les contes d'Hoffmann". In this album, this song's track order is #44. Furthermore, we believe that the track originated from France. Offenbach: Les contes d'Hoffmann, Act IV: "Mon enfant ! Ma fille !" (Crespel, Antonia, Nicklausse, Hoffmann, Docteur Miracle) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: Les contes d'Hoffmann, Act IV: "Mon enfant ! Ma fille !" (Crespel, Antonia, Nicklausse, Hoffmann, Docteur Miracle) by Jacques Offenbach, André Cluytens, André Philippe, Fanély Revoil, Géori Boué, Raoul Jobin, Roger Bourdin, Orchestre du Théâtre national de l'Opéra-Comique having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 1: "Elle est sur la scène, un peuple l'acclame" (La Muse, Chorus) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | D Major | 1 | 10B | 121 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 2: "Je me nomme Coppélius" (Coppélius, Hoffmann, Nicklausse) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | D Major | 1 | 10B | 121 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM |
Section: 0.8208754062652588
End: 0.8251268863677979