"Saint-Saëns: Danse macabre, Op. 40" by Camille Saint-Saëns, Leopold Stokowski, Sidney Sax, National Philharmonic Orchestra was released on January 25, 1976. Since Saint-Saëns: Danse macabre, Op. 40 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Stokowski Showcase". In this album, this song's track order is #7. In terms of popularity, Saint-Saëns: Danse macabre, Op. 40 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns: Danse macabre, Op. 40 by Camille Saint-Saëns, Leopold Stokowski, Sidney Sax, National Philharmonic Orchestra having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Barber: Agnus Dei | Samuel Barber, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | C Minor | 1 | 5A | 75 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
An der schönen blauen Donau, Op. 314 - Excerpt | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 2 | 10B | 100 BPM | ||
Funeral march of a marionette CG 583 | Charles Gounod, Roberto Prosseda | A Major | 0 | 11B | 81 BPM | ||
Canon and gigue, for 3 violins & continuo in D major, T. 337 - Canon in D | Royal Philharmonic Orchestra, Sir George Martin | D♭ Major | 2 | 3B | 99 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Fruhlingsstimmen (Voices Of Spring), Op. 410 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 99 BPM | ||
Swan Lake, Ballet suite, Op.20: Scene (Lake in the moonlight) | Belgrad Philharmonic Orchestra, Igor Markevitch | D Major | 0 | 10B | 170 BPM | ||
Swan Lake Suite, Op. 20a: II. Waltz | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 103 BPM |
Section: 0.7205336093902588
End: 0.725445032119751