On 1994, the song "Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Gigue - Presto" was released by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon. With Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Gigue - Presto being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra. In terms of popularity, Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Gigue - Presto is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Harmonia artificioso - ariosa: Partia IV in E-Flat Major, Gigue - Presto by Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Sinfonia a quattro No. 5 in D Major, SF C776: II. Adagio | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Sonata No. 1 in D Minor, "The Annunciation": II. Variatio | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | D♭ Minor | 1 | 12A | 80 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: I. Sinfonia | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 126 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Concerto in D Major After BWV 169 and BWV 49: II. Siciliano | Johann Sebastian Bach, Les Muffatti, Bart Jacobs | B Minor | 1 | 10A | 77 BPM | ||
Harmonia artificioso-ariosa, Partia IV in E-Flat Major, C 65: II. Allemande | Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi | D Major | 3 | 10B | 98 BPM | ||
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 78 BPM |
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