"Gallantry, A Soap Opera: Where am I?" by New York Chamber Ensemble, Julia Parks, Margaret Bishop, Richard "Groove" Holmes, Carl Halvorson was released on September 1, 1995. The duration of Gallantry, A Soap Opera: Where am I? is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Gallantry, A Soap Opera: Where am I?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in New York Chamber Ensemble's "Happy Endings: Comic Chamber Operas" album is number 9 out of 31. Gallantry, A Soap Opera: Where am I? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gallantry, A Soap Opera: Where am I? by New York Chamber Ensemble, Julia Parks, Margaret Bishop, Richard "Groove" Holmes, Carl Halvorson to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Magic Flute, Act I: Don't be afraid, now hear my song | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Barry Banks | F Major | 2 | 7B | 130 BPM | ||
Death Be Not Proud | Douglas Moore, Eleanor Steber, Edwin Biltcliffe | C Major | 1 | 8B | 85 BPM | ||
Hermit Songs Op.29: 5. The Crucifixion | Samuel Barber, Barbara Bonney, André Previn | A Minor | 0 | 8A | 162 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
Semele, Act II: "Where'er You Walk" | George Frideric Handel, Leontyne Price, Henry Lewis | B♭ Major | 2 | 6B | 131 BPM | ||
Opening Chorus (Produced) | Douglas Moore, Festival Choir And Orchestra, Doris Young-soprano, Frederick Weidner-tenor, Joe Blankenship-bass, James de Groat-speaker, Armando Aliberti | G Major | 2 | 9B | 114 BPM | ||
Come away, death, Op. 6 No. 1 | Roger Quilter, Ian Bostridge, Julius Drake | G Minor | 0 | 6A | 109 BPM | ||
Puccini : Il Trittico, 'Suor Angelica' : "Senza mamma" [Forzano] | Giacomo Puccini, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A Minor | 1 | 8A | 93 BPM | ||
Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM | ||
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM |
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