"8 Pièces brèves, Op. 84: VII. Allegresse in C Major" by Gabriel Fauré, Kathryn Stott was released on April 1, 1995. With 8 Pièces brèves, Op. 84: VII. Allegresse in C Major being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 77 in Fauré: The Complete Music for Piano by Gabriel Fauré, Kathryn Stott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, 8 Pièces brèves, Op. 84: VII. Allegresse in C Major's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 8 Pièces brèves, Op. 84: VII. Allegresse in C Major by Gabriel Fauré, Kathryn Stott is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on an original theme, Op. 9, J. 55: Variation 2 | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 70 BPM | ||
Goldberg Variations, BWV 988: Var. 25. a 2 Clav. Adagio | Johann Sebastian Bach, Tatiana Nikolayeva | G Minor | 0 | 6A | 70 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | ||
Scheherazade Op. 35 (Transcr. for Piano by Florian Noack): III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Der Sterngucker: Act I: Abgang (Lilly, Franz) | Franz Lehár, Lothar Odinius, Claudia Rohrbach, Hanna Dora Sturludottir, Robert Worle, Markus Kohler, Angelika Bamber, Alexander Broer, German Chamber Academy Neuss, Johannes Goritzki | E Major | 1 | 12B | 135 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 1, Our Evenings | Leoš Janáček, Lars Vogt | A♭ Minor | 0 | 1A | 89 BPM | ||
Mussorgsky: Pictures at an Exhibition: XI. The Great Gate of Kiev | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
5 Lieder, Op. 49: No. 2, An ein Veilchen (Arr. Reger for Piano) | Johannes Brahms, Rudolf Buchbinder | B Minor | 0 | 10A | 124 BPM | ||
Sonata romantica in B-flat Minor, Op. 53, No. 1: III. Meditazione : Andante con moto | Nikolai Medtner, Benjamin Bertin | F♯ Minor | 0 | 11A | 72 BPM | ||
6 Finnish Folksongs, JS 81: No. 6. Haamuistelma (Wedding Memories) | Håvard Gimse, Jean Sibelius | A♭ Major | 0 | 4B | 74 BPM |
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