"On an Overgrown Path, JW VIII/17, Book 1: No. 1, Our Evenings" by Leoš Janáček, Lars Vogt was released on February 5, 2021. The duration of On an Overgrown Path, JW VIII/17, Book 1: No. 1, Our Evenings is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. On an Overgrown Path, JW VIII/17, Book 1: No. 1, Our Evenings's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Lars Vogt's "Janáček: Piano Works" album is number 7 out of 21. On top of that, Finland appears to be the country where this track was created. On an Overgrown Path, JW VIII/17, Book 1: No. 1, Our Evenings is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of On an Overgrown Path, JW VIII/17, Book 1: No. 1, Our Evenings by Leoš Janáček, Lars Vogt to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in D Major, Op. 53, D. 850 "Gasteiner": III. Scherzo. Allegro vivace | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM | ||
Pictures at an Exhibition: X. The Great Gate at Kiev | Modest Mussorgsky, Blandine Waldmann | D♭ Minor | 1 | 12A | 85 BPM | ||
Dans l'ombre de la montagne: VII. Postlude | Guy Ropartz, Stephanie McCallum | C Major | 0 | 8B | 166 BPM | ||
Goldberg Variations, BWV 988: Variatio 18. Canone alla Sexta. a 1 Clav. | Johann Sebastian Bach, Lars Vogt | E Minor | 0 | 9A | 69 BPM | ||
Goldberg Variations, BWV 988: Variatio 19. a 1 Clav. | Johann Sebastian Bach, Lars Vogt | E Minor | 0 | 9A | 69 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 6, Words Fail! | Leoš Janáček, Lars Vogt | D♭ Major | 0 | 3B | 75 BPM | ||
Premières valses: IV. Valse noble | Reynaldo Hahn, Pavel Kolesnikov | B Major | 2 | 1B | 133 BPM | ||
Impressioni d´estate | Ivan Bogoyavlensky, Nadja Naumova | D♭ Major | 1 | 3B | 69 BPM | ||
Prelude Op. 23 No. 7 in C-Minor: Allegro | Sergei Rachmaninoff, Park Eun Shik | F Minor | 2 | 4A | 72 BPM | ||
Prélude in B-Flat Major, Op. 11, No. 21 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM |
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